Short Fiction I
Summarizing plot instead of interpreting how a choice creates meaning.
Next move
Write one claim about a character shift and explain one exact detail.
Companion proof: Complete one practice set for Short Fiction I, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Poetry I
Treating the speaker as the author without evidence.
Next move
State the speaker's tension in one sentence.
Companion proof: Complete one practice set for Poetry I, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Longer Fiction or Drama I
Writing theme as a vague moral.
Next move
Name a conflict and explain how one scene complicates it.
Companion proof: Complete one practice set for Longer Fiction or Drama I, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Short Fiction II
Noticing a shift but not explaining what changes.
Next move
Find the turning point and write what changes before and after it.
Companion proof: Complete one practice set for Short Fiction II, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Poetry II
Listing poetic devices without connecting them to the speaker's meaning.
Next move
Track the poem's shift and explain how form reveals it.
Companion proof: Complete one practice set for Poetry II, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Longer Fiction or Drama II
Using the whole work as summary instead of proof.
Next move
Write one thesis that names a character, choice, and meaning.
Companion proof: Complete one practice set for Longer Fiction or Drama II, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Short Fiction III
Calling a character complex without naming the contradiction.
Next move
Name one contradiction in a character and explain what it reveals.
Companion proof: Complete one practice set for Short Fiction III, then save a parent update that names the missed concept, the corrected move, and the next unit check.
Poetry III
Treating the poem as one stable emotion.
Next move
Map two tone shifts and explain why the poem needs both.
Companion proof: Write one poetry paragraph and highlight interpretation, precise evidence, commentary, and one complexity move.
Longer Fiction or Drama III
Choosing evidence that proves only the obvious theme.
Next move
Add an although or while clause to a literary argument thesis.
Companion proof: Complete one practice set for Longer Fiction or Drama III, then save a parent update that names the missed concept, the corrected move, and the next unit check.